As arguably the most famous playwright that Russia has ever produced, Anton Chekhov has written works that have been read and performed on an international level since their first publication in the late nineteenth and early twentieth centuries. His literary genius has helped to further the genre of realistic theatre with a tragicomedy of simultaneous humor and melancholy unique to his plays. In comparing three contemporary dramatic literature adaptations of Chekhov’s play Uncle Vanya to the original (Sam Holcroft’s Vanya, Howard Barker’s Uncle Vanya and David Mamet’s Uncle Vanya) I will prove that Chekhov’s particular use of tragicomedy creates a human universality that dramatists try to emulate to this day, while each individually adjusts the test to fit his own distinctive writing style and vision for the plotline. This comparison asserts that classic works of dramatic literature contain an isolated universal human element that compels playwrights to create modern adaptations.


Cori Hundt

John Bertolini
Sponsor & Ellis Professor of English and Liberal Arts

Scene from Sam Holcroft’s Vanya performed as part of 10-Minute Plays during the 2011 Spring Student Symposium.

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A MiddLab Project

Enterprise Land Use in the Russian Federation

Learn more about Russian and Economics at Middlebury College.

What is the state of urban industrial land use in Russia today? Why did the 2001 Land Code reforms fail, and what is more, why does successful reform have yet to be instated? What are the economic effects of ineffective land reform in Russia, and are there legal or other effects, as well? Most importantly, which amendments need to be considered in order to create effective Russian land policy?


Casey Mahoney & Jessica Stevens

William Pyle
Associate Professor of Economics and Project Sponsor

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