Paul Gaugin and Edgar Degas were working side by side, though they had never collaborated on a project. In 1892, Gauguin took an unprecedented step in his career and completed the unfinished drawing of Degas titled Nude Woman Drying Herself
. Degas and Gauguin are two of the most celebrated nineteenth-century French artists. Degas’ art focuses primarily on the urban Parisian figure, while Gauguin is more fascinated with the rural character, enhanced by his sojourns in both Brittany and Tahiti. What unites the two artists’ work is their fascination with the depiction of the human figure in intimate contexts and the theme of isolation. In nineteenth-century art, the capturing of private moments was not a theme exclusive to Gauguin and Degas; however, these two artists are linked by inextricable similarities in their art. My research focuses on these aforementioned similarities that scholars have yet to explore.