Early twentieth-century lyric poet Edna St. Vincent Millay was, at the height of her career, a literary celebrity treated as a major poet. Today, her poetry remains marginally popular but largely unstudied in literature classrooms. This presentation considers Millay in a cultural and hisorical context, discussing her complex relationship to Modernism, critical reactions to Millay over the course of the twnetieth century – ranging from New Critic John Crowe Ransom’s attack on Millay’s poetic and intellectual capabilities, to feminist critics’ attempts to reclaim her from obscurity – and the phenomenon of literary celebrity, particularly for women writers.


Carla Cevasco

Brett Millier
Sponsor & Reginald D. Cook Professor of American Literature

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